In the transcript of the video: WWR Oral History Archive, there was a huge discussion around what WWR meant to different women and specifically women of color. These people were finally given a platform to share their stories and for many this was very impactful, “I don’t think… some people have never even been listened to in that way, and that’s in itself a gift” (Blackwell, 4). These women’s stories, and truths have been suppressed and when given the power to step in the spotlight, this can be very healing. In the article written by Mahon, there were examples given of Black women who were back up singers for very economically and globally successful White male artists. Despite the contribution and work that these women put into their music, they were not given recognition of economic compensation. The article stated, “[t]heir race, gender, and class identities shaped their repertoire, access to audiences, and con- tractual and economic options” (Mahon, 3). This is a prime example of when voices of marginalized groups are taken away, in this case being women of color in the music industry. These narratives have been silenced and forgotten through the White superiority that has exploited their work, and stories. These readings connect because WWR is trying to move forward from this time of silence, that was outlined in Mahon’s article, and resurface the stories that have been buried and allow women of color to be seen. One song that supplements how women of color are using their platform to rise up for not only themselves but for women of color from the past similar to Darlene Love, is Janelle Monae’s Django Jane. Beyonce’s BROWN SKIN GIRL also is an example of how a Black female artist is reframing the narrative for Black women by using their platform to tell their truths.
DJ Selections:
“Django Jane” - Janelle Monae
DJ Selections:
“Django Jane” - Janelle Monae
“BROWN SKIN GIRL” - Beyonce ft. Blue Ivy, Wizkid & SAINt JHN
References:
Maureen Mahon, “Listening for Willie Mae “Big Mama” Thornton’s Voice: The Sound of Race and Gender Transgressions in Rock and Roll,” Women and Music, Vol. 15, 2011, 1-17. (PDF)
Maylei Blackwell transcript, WWR Oral History Archive https://content.lib.washington.edu/wwrweb/write-to-rock/bioBlackwell_Maylei.html
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