Tuesday, May 5, 2020

GWSS Individual Blog Post 2


Matthew Trajano
Individual Blog Post #2
05/06/2020


Theresa Riley's interview with Jeff Chang in "Still Fighting the Power" highlights some interesting ideas about how hip-hop influences black people, and what the culture can perpetuate in of itself through rap music. Riley noted that Chuck D famously said that rap music is the “CNN for black people”, and Chang elaborated, saying that rap was reaching the youth that felt they were being unrepresented. “I think since then he would say that it’s become CNN for marginalized young people all around the world,” Chang said in the interview. I think with hip hop and rap with its far-reaching influence, it does play a part to push this idea of being “hard” and these constructs of hypermasculinity in hip hop and rap, especially from the artists noted in “Hip Hop: Beyond Beats and Rhymes”. In the documentary, some big names such as Nelly, 50 Cent, Ja Rule, and Busta Rhymes had often perpetuated these ideas. Chuck D said that through the structures of selling music to black manhood, that if corporations can put “soul in a bottle, then you can put manhood in a bottle, and show the bottle and advertise it.” The ways in which masculinity is being sold on the radio during this time continues to perpetuate idealistic depictions of what a black man should be and should care about.


In learning about these ideas of manhood in hip hop and rap, I think about how Lil Nas X has created discourse for what constitutes hip hop, as well as discussions for country music. His hit “Old Town Road” launched Lil Nas X to unfathomable heights, and he famously came out as gay with the launch of his song "Closure". This was a big moment for the hip hop industry that had a space for a gay artist since its inception. I also thought about hip hop artists that have tried to have realistic depictions of the harsh realities in the ghetto and gang culture, and that brought me to Kendrick Lamar’s “Alright”, which is in stark contrast to the ways rappers discuss these ideas in the early 2000s.

Lil Nas X, "Closure"

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