Wednesday, May 6, 2020

GWSS Blog Post #2


            One thing I found quite interesting was the discussion of the stereotypes that hip hop music perpetuates and how it can reinforce the oppression and misogynistic view of women as well as encourage toxic masculinity. The film, Hip Hop: Beyond Beats and Rhymes, really focused on the ways rap lyrics are often about drugs, guns, women, and proving your toughness. They require rappers to act ‘hard’ and show off their street cred. If they don’t fit this hypermasculine image, then they aren’t really as recognized in the hip hop world. When director Byron Hurt would ask various rappers about how they felt about these stereotypes, they often said that it is what sells and what songs have to be about if they want to achieve any sort of commercial success. This shows that these standards have been so cemented into hip hop culture that we often don’t even question them and view them as normal. Even Kyle Fleck’s The Rise of Seattle Hip Hop hints at some of these views in present-day rappers by describing the Moor Gang as a “group of knuckleheads” with a “nihilistic sound” and “drug-numbed personas” (Fleck). In addition to hypermasculinity, hip hop culture often presents women in an overly sexual, derogatory way. Hip hop feminism, as discussed in The Stage Hip-Hop Feminism Built, considers the “racist and misogynist practices they [women] experienced daily” (Durham, 724) and how these views can be challenged. Hip hop feminism looks for alternative narratives in hip hop history, giving women the credit they often don’t receive, encourages a pro-sex view, and isn’t afraid to confront contradictions in current history.

The first song I chose is FIGHT by Brockhampton. This song directly deals with racism and what black boys are taught from a young age as well as what black people’s place in society is expected to be. The song starts with the lyrics “my male role models drug dealers and thugs / my father learned how to solve problems with guns”. With its first lyrics, it already begins to talk about the issues of toxic masculinity and about the stereotypes surrounding black people.

The second song I chose is BagBak by Vince Staples. This song is kind of a protest song that again talks about the racism against the black community and also touches on police brutality and the corruption in the policing system with lyrics like “pray the police don’t come blow me down ‘cause of my complexion”. It also talks about the underrepresentation of black people with “we need Tamikas and Shaniquas in that Oval Office”, showing that black people do not have an equal say and are instead thought of as perpetually part of gangs and living in the ghettos.

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